27order Busan International Film Festival will open with The scent of the wind by Iranian director Hadi Mohaghegh and starring A man by Kei Ishikawa of Japan.
Launched in 1996, Busan has long been regarded as Asia’s premier film festival, known for both showcasing the careers of exciting new Korean and Asian artists, as well as its atmosphere. seaside festival with tent restaurants serving soju and Korean seafood specialties at night.
This year, Busan festival director Heo Moon-young has promised an edition that represents a “full recovery” from the pandemic, restoring various programs and forums that have been disrupted for two years. last year due to the social distancing measures of the Seoul government. In 2022, the festival will screen 354 films from 71 countries, with various satellite events taking place across town.
The scent of the wind is Mohaghegh’s fourth film, featuring a feature film everlasting was invited to participate in the program Busan News in 2015.
Heo explained, “It’s a movie that fits Busan’s creative direction. “We often think about the aesthetic of Asian cinema and come up with names like Abbas Kiarostami and Hou Hsiao Hsien. I think Mohaghegh’s film captures the 21st century Asian cinematic aesthetic – with the depth of his camera work. It conveys the values we love about Asian cinema. They depict the lives of unhappy people and do so without exploiting or exaggerating them, but conveying a feeling of comfort and solidarity.”
By Ishikawa A man is a mystery drama series starring Japanese star Satoshi Tsumabuki. The film, which recently premiered to warm reviews in Venice, delves into the story of a Korean-Japanese lawyer who faces questions about his identity while investigating a case. the mystery of a client’s deceased husband.
This year’s Busan lineup has many films by movie masters. Alain Guiraudie’s No one is a hero and bright red by Pietro Marcello, both opening films for this year’s Berlin and Cannes Film Festivals, will be screened in the Gala Presentation section, which showcases premieres by renowned international directors in the country.
New Currents, the festival’s main competition, will announce a selection of 10 films, with a jury headed by film critic Serge Toubiana. Icons, a program dedicated to new films from globally renowned directors, including the United States and Europe, will feature films by many familiar names, including the heart of the world. The latest theory of French director Claire Denis Both sides of the Blade, Black comedy by American director Noah Baumbach White noise and Broker of Japan’s Kore-eda Hirokazu, a drama about a unique family starring South Korean actor Song Kang-ho, who won the Best Actor award at this year’s Cannes .
Jiseok, a new section named after the late film festival programmer Kim Jiseok, will feature selected works from emerging Asian filmmakers, including Iran’s Ali Ghavitan (Life), ML Bhandevanov Devakula of Thailand (Six characters) and Ananth Narayan Mahadevan of India (Storyteller).
Separately, A Window on Asian Cinema, which highlights the latest works of Asian directors, has 9 world premieres, including Hong Kong family by Eric Tsang Hing Weng and The wind will say by Wei Renal Yongyao.
This year’s Busan Film Festival also showcased a range of films that are both culturally and politically significant. Nakdong River (1952), the earliest surviving film in Korea that first depicts the Korean War, has recently been rediscovered and digitally remade. It will be shown for the first time in Busan. Blind Willow, Sleeping Womana film by Mantas Kvedaravicius, a Lithuanian director who is best known for his documentaries shot in hostile areas and who was killed by the Russian army during production., was also invited. A special section titled Exploring New Japanese Cinema, exploring the new potential of contemporary Japanese films – once banned from showing in Korea due to historical tensions stemming from Japan’s colonial regime – focuses on young Japanese directors who debuted feature films after 2010.
A wave of cross-border projects will be screened by international directors, starring Korean actors or produced in Korea.
Back to SeoulDirected by Cambodian-French director Davy Chou, it depicts the journey of a 22-year-old woman visiting her mother’s hometown after being adopted by a French couple. Ajoomma, the story of a middle-aged widow traveling out of the country to Seoul for the first time, directed by new Singaporean director, He Shuming. Riceboy by Anthony Shim, a Korean-Canadian actor and director based in Vancouver, delves into the experience of an immigrant as it tells the story of a single mother raising her son in suburban Canada.
The festival has also chosen Tony Leung, veteran Hong Kong actor, as the recipient of this year’s Asian Film Personality of the Year award, which is given to industry veterans who have made significant contributions. for the world of Asian cinema. To celebrate his achievements, Busan will also hold a special screening of Leung’s main films, such as inside Mood when in love, happy together and 2046, All chosen by the actors themselves.
In terms of markets, this year’s Asian Film Content Market will be the first live edition of the event in three years. Market events, parties and ceremonies will return to normal, and foreign guests will be directly invited to the demos and meetings.
As a highlight of the market, AFCM will launch an ambitious new program called Story Market, which already integrates the functions of the previous E-IP Market (Entertainment Intellectual Property Market), invites content creators across all platforms including books, games and comics. . The Asian Film Foundation, which has been suspended for the past two years, is expected to continue and support 13 films with funding programs such as the Script Development Fund, the Post-production Fund and the Asian Documentary Network Fund. ASIAN.
The Asian Project Market, a co-production and market flagship program that showcases promising feature films, will feature 29 selections of Asian directors this year.
Oh Seok-geun, director of AFCM said, “Every content begins with a story. “For 10 years, through the E-IP marketplace, we have created a platform where content owners join and exchange a wide range of IP streams. We will continue to showcase quality Asian content through these strategic partnerships with various studios in Asia. “